François Dumont

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With bell-like melodic lines, Dumont elicits a singing tone from the piano. Emotions are to the fore, without the undue histrionics of many Chopin performances.
(OC) ★★★★ BBC Music Magazine, 2018
French pianist François Dumont’s international career has been launched by his success in major international piano competitions winning prizes in the Chopin Competition, the Queen Elisabeth Competition, the Clara Haskil Competition, the Montecarlo Piano Masters. He has been nominated for the “Victoires de la musique”, a major French classical music event. He has received the Prix de la Révélation from the Syndicate of Music Critics in France.
François Dumont has been chosen by Leonard Slatkin to play and record both Ravel concerti with the Orchestre National de Lyon. The CD will be issued for Naxos during the 2019 season.
He appears as a soloist with orchestras such as the Cleveland Orchestra, the Mariinsky Theater Orchestra, the Montecarlo Philharmonic, the Warsaw National Philharmonic, the Orchestre national de Lorraine, the Orchestre National de Lille, the Orchestre National d’Ile-de-France, the
Orquesta Nacional de Colombia, the Orchestre de Chambre de Lausanne, the Tokyo Symphony with conductors such as Jesùs Lopez-Cobos, Antoni Wit, Arie van Beek, Philippe Bender, Rani Calderon, David Reiland, Stefan Sanderling, Alexander Sladkovsky. François Dumont was fourteen years old when he entered the Paris Conservatoire National Supérieur de Musique in Bruno Rigutto’s class. He later studied at the prestigious Lake Como International Piano Academy with artists such as Dmitri Bashkirov, Leon Fleisher, Murray Perahia, William Grant Naboré, Menahem Pressler, Andreas Staier and Fou Ts’ong.
François Dumont is invited to perform recitals in major venues such as the Festival International de la Roque d’Anthéron, the ‘Piano aux Jacobins’ Festival à Toulouse, Chopin Festival in Nohant, Radio-France Montpellier Festival, Chopin à Paris Bagatelle Festival, “Chopi  and his Europe” Festival in Warsaw, Nuits du Suquet in Cannes, Journées Ravel in Montfort l’Amaury, Ljubljana Festival, Kennedy Center in Washington. He regularly tours Japan, South Korea and China.
His chambers music partners are Tabea Zimmerman, Augustin Dumay, Henri Demarquette , Xavier Philipps, the Prazak, Sine Nomine, Talich, Zemlinsky, Voce and Debussy Quartets. With Virginie Constant and Philippe Aïche, his is part of the Trio Élégiaque, which whom he recorded the complete Beethoven and Schubert Trios.
His first solo recordings, the Complete Mozart Sonatas (Anima Records) and a Chopin album (Artalinna) both received the “Maestro” award of the “Pianiste” magazine. Other solo recordings include a Wagner/Liszt programme (Piano Classics) as well as a double CD “live” that includes all his performances at the Chopi  Competition, published by the National Chopi  Institute in Warsaw. His recording of the complete piano music of Maurice Ravel (Piano Classics) has received both critic (FFF Telerama, 5 Diapason) and public acclaim.Two B.A.C.H. project have been released by Artalinna, of which the famous critic Jacques Drillon wrote : « coherence, dignity, richness of affects. One thinks of Edwin Fisher ». His recent recording of Mozart Concerti K.271 and K.466 with the Orchestre Symphonique de Bretagne have been praised for their “clarity of elocution”, their “ideal sense of equilibrium” and “delightful classicism”. His collaboration with the OSB continues with Mozart Concerti K.453 and K.488 which he has recorded live, conducting from the keyboard. The project was taken to Salle Gaveau, Paris, where it met public and critic acclaim. His last allbum, the complete Chopin Nocturnes, was praised by the BBC magazine for his « singing tone » and the International Piano Magazine considers that it is «a stunning new version that sets him apart », while the American magazine  Fanfare writes : «There are few recent recordings to compare with this one. »
During the 2018-19 season, he is invited to perform Franck and Ravel concertos with Les Siècles orchestra conducted by François-Xavier Roth. Concerts will take him to Taïwan, Luxembourg, Ireland, Belgium and Russia. He will give a concert tour with Orchestre des Pays de Savoie with Mozart’s «Jeunehomme» concerto.
His debut in the Paris Philharmonie will take place next February with Schumann piano concerto.
Critics
Dumont, capace di dominare la materia sonora. Davvero degna di nota la presa del suono. Dinamica precisa, dotata di una sua naturalezza e debita velocità […]
Andrea Bedetti, Music Voce*****  2018
With bell-like melodic lines, Dumont elicits a singing tone from the piano. Emotions are to the fore, without the undue histrionics of many Chopin performances.
(OC) ★★★★ BBC Music Magazine, 2018
[…] the rising French pianist François Dumont with a stunning new version […] a clarity, momentum and coherence that immediately grab the ear. His controlled pianissimos imbue the melodies with tender sweetness.
Michael Johnson, International Piano **** 2018
François Dumont’s first issued recordings included a complete set of Mozart sonatas, certainly an unusual opening set. He has been honored in some of the most prestigious piano competitions. I was amused that he was also awarded the “Prix de la Révélation” from a group of French critics. I am not sure what other revelations he is credited with, but he is a wonderful Chopin player, graceful and coherent, expressive and at the same time rhythmically secure. It’s a matter not of avoiding rubato or other expressive gestures, but of making them fit the whole. I just heard the Nocturne in A♭, op. 32/2, and note the beautifully rounded ending of the work, pause and all. He plays the Nocturne, op. 48/1, with the utmost sobriety: It’s a dark-toned work and Dumont renders its particular drama, with its occasional near explosiveness and tenderness, remarkably. His performance of the posthumous Nocturne in C♯ Minor begins in almost otherworldly fashion: There are few recent recordings to compare with this one. He also plays the more forthright Nocturne in C Minor, also posthumous, equally is clearly and warmly recorded.
Fanfare 2018